Naperville, IL 

 

 

Syllabus

 

     HUMN-422—FILM AND LITERATURE—accelerated     

Fall 2004 

 

 

Faculty Information:

Dr. Al Campbell

E-mail:      acampbell@tp.devry.edu

                  campbell@wolverton-mountain.com

Web Site: www.wolverton-mountain.com

Phone: (219) 928.5598 or (219) 942.5595

 

Course Identification:

Credit hours: 3

Contact hours: 3

Days/hours course meets: Tuesdays at 6:-9:30pm

Prerequisite: ENGL-135

 

Term Paper:

You will do a 12-page research project exploring an approved topic of the student’s choice dealing with film and literature. 

 

Weekly Movie Schedule:

January 4, 2005                                  No film
 

January 11, 2005                         Theme of the Week: Comedy
Monty Python's Holy Grail (movie)
 

January 18, 2005                                Theme of the Week: Racism /Ethnic Cleansing
            The Autobiography of Malcolm X (movie)
 

January 25, 2005    MIDTERM    Theme of the Week: The American Dream
         
Avalon (movie)
          

February 1, 2005                                Theme of the Week: Poverty

Les Miserables (movie)

 

February 8, 2005                          Theme of the Week: Technology

            I, Robot (movie)

 

February 15, 2005  TERM PAPER Theme of the Week: Human Sexuality

Sex, Lies, and Videotape (movie)

 

February 22, 2005 FINAL

 
Required Texts  

Muller, G. H. & Williams. J. A. (2003). Ways in: Approaches to reading and writing about literature and film (2nd.). Boston, MA: McGraw-Hill.

 

 

 

 

Course Description Humanities 422 introduces contemporary narrative literature and film/video.  The course stresses the narrative techniques of both media and also highlights differences between them.  Students' understanding and appreciation of these art forms are developed through study of paired works highlighting specific artistic techniques of each medium.

Film and Literature provides a primary emphasis on the presentation of traditional narrative elements in both art forms, significant elements of technique in both, and the similarities and differences in their use of these elements.

The course also presents both arts in the context of larger classification schemes, such as significant genre categories and in the context of broader artistic trends.  Finally, the relationship  of both film and literature  to a social, historical, and cultural context is an important subject of discussion in the course.

Terminal Course Objectives  

General education competencies expected from a DeVry educational include the following:

  1. Communicate clearly with particular audiences for particular purposes.
  2. Work collaboratively to help achieve individual and group goals.
  3. Apply critical thinking skills in learning, conducting applied research, and defining and solving problems.
  4. Develop tolerance of ambiguity and mature judgment in exploring intellectual issues.
  5. Build on intellectual curiosity with fundamental concepts and methods of inquiry from the science, social sciences, and humanities to support life-long learning.
  6. Apply mathematical principles and concepts to problem solving and logical reasoning.
  7. Use study and direct experience of the humanities and social sciences to develop a clear perspective on the breadth and diversity, as well as the communality, of human experience.
  8. Connect general education to the ethical dimensions of issues and to responsible, thoughtful citizenship in a democratic society.

Course Terminal Objectives:

1.  Analyze individual works of literature and film in terms of the basic elements of narrative structure, including theme, plot, character, setting, conflict, and point of view; compare and contrast the use of these elements between literary and filmic narratives.         

2. Assess the purpose and value of narrative literature and film on the individual and cultural level.

3.  Analyze the relationship between works of literature and film and the cultural contexts in which they were created.    

4.  Apply the principles of major literary and cinematic approaches to the analysis of specific works of literature and film.         

5.  Interpret individual works of literature and film using traditional critical approaches to analysis.         

6.  Differentiate between key visual elements within a film and examine their relationship to corresponding literary elements.           

7.  Compare and contrast literature and film as popular media both to each other and to other forms of art.         

8.  Analyze the considerations involved in translating individual works of narrative literature to film.

9.  Analyze the meaning and importance of archetypal images and symbols in both literature and film.           

10.   Apply both genre and auteur approaches to particular works of literature and film.          

11.  Evaluate the impact of both past and present technological advances on both literature and film.        

 

Course Schedule  

Week/TCO

Topic Onsite Online Homework

1

 

TCO 1, 2

 

Class Intro

Overview of Hum 422 course -

Focus on Story Structure

 

Class Intro.

Connections between Literature and Film -

Initial Observations on Story Structure

 

Story Structure

Reading

  • Ways In  Preface and Chapter 1 - pp. 3-19
  • A Farewell To Arms  Chapters 1-7

Assignment

Individual Groups begin work on Final Group Presentations will be delivered on Week 6 and Week 7.

Group One prepare for Group Textbook Presentation of Ways In Chapter 1 - to be delivered In Class Week Two.

Start work on individual project - "If I Were The Director" -  to be completed by Week Five.

 

2

 

TCOs 3, 4

 

Chpt One of "Ways In"

 

Focus on Character

 

In Class

Lecture on

On Chpt One.

Observations about the nature and purpose of fictional characters

 

Weekly Group Pres:

Group One

 

Work in Groups

 

Character

 Reading

  • Ways In  Chpt. 3 pg 37-47
  • A Farewell To Arms  Chpt 8-14

 

Assignment

Individual Groups continue work on Final Group Presentations to be delivered on Week 6 and Week 7

Group Two prepare for Group Textbook Presentation of Ways In Chpt. 3, to be delivered In Class Week Three.

Continue work on individual "If I Were The Director" projects, to be completed by Week Five

 

3

 

TCOs 5, 6

 

Chpt Three of "Ways In"

Focus on Theme

 

In Class

Lecture on Chpt Three

The place of theme within a work of fiction

Weekly Group Pres:

Group Two

 

 

Work in Groups

 

Theme

Reading

  • Ways In  Chpt. 5 pg 60-73
  • A Farewell To Arms  Chpt 15-24

 

Assignment

Individual Groups continue work on Final Group Presentations to be delivered on Week 6 and Week 7

Group Three prepare for Group Textbook Presentation of Ways In Chpt. 5, to be delivered In Class Week Four.

Continue work on individual "If I Were The Director" projects, to be completed by Week Five

 

4

 

TCO 7

 

Chpt Five of "Ways In"

 

Focus on Setting

 

In Class Lecture

How setting can reflect the key ideas within a fictional piece

Chpt Five

 

Weekly Group Pres:

Group Three

 

 

 

Work in Groups

 

Setting

 Reading

  • Ways In  Chpt. 6, part 1, pg 77-91 
  • A Farewell To Arms  Chpt 25-34

 

Assignment


Midterm Exam


Individual Groups continue work on Final Group Presentations to be delivered on Week 6 and Week 7

Group Four prepare for Group Textbook Presentation of Ways In Chpt. 6, part one, to be delivered In Class Week Five.

COMPLETE work on individual "If I Were The Director" projects, to be turned in at the start of class NEXT WEEK

 

5

 

TCO  8

 

Chpt Six, pt 1 of "Ways In"

 

Focus on Genre

 

In Class Lecture

The importance of the genre in literature and film history

Chpt Six pt 1

 

Weekly Class Pres:

Group Four

 

 

Work in Groups

 

Genre

Reading

  • Ways In  Chpt. 6, part 2, pg 92-105 
  • A Farewell To Arms  Chpt 35-End

Assignment

Individual Groups continue work on Final Group Presentations to be delivered on Week 6 and Week 7

Groups One, Two and Three to give Final Group Presentations NEXT WEEK!

Group Five prepare for Group Textbook Presentation of Ways In Chpt. 6, part two, to be delivered In Class Week Six.

 

6

 

TCO 9

 

Chpt Six, pt 2 of "Ways In"

 

Focus on Adaptations

Final Presentations pt 1

 

In Class Lecture

Why are adaptations of books into movies so prevalent in media culture?

Chpt Six pt 2

Weekly Group Pres:

Group Five

Final Group Pres:

Groups One Two and Three

 

 

Adaptations

Assignment

Group Four and Group Five prepare for Final Group Presentation To Be Delivered Week 7

Begin Reviewing for Final Exam

 

7

 

TCO 10, 11

 

Focus on Point of View

Final Presentations pt 2

 

In Class Lecture

Why is the Point of View so pivotal in the world of fiction?

Final Group Pres:

Group Four and Five

Review for Final Exam

 

 

Point of View

 Review for Final Exam

8

Proctored Final Exam

Proctored Final Exam

Final Online Discussion

Proctored Final Exam

 

 

Grading Policy

Papers, Presentations, In Class Assignments, Exams and Homework:

No make-ups will be given on any exams or in class assignments, with a grade of zero recorded for ANY missed evaluation.  Homework or individual project assignments are considered late ten minutes after class has started.  Five points per day will be deducted for every day that the assignment is late.

 

Weekly Threaded Discussions Assignment (TDA)

The Threaded Discussion Assignment is a major online component of the iOptimize shell.  The TDA is a weekly asynchronous virtual classroom discussion aimed at promoting understanding of the major concepts and principles underlying the complex relationships of the course.  Students should plan to participate in the discussion(s) for approximately two hours each week (this time does not include homework for the onsite meetings). 

Each week the student will be graded on his/her contribution(s) in the Threaded Discussions using the TDA Grading Criteria.

Frequency – At a minimum, each student must participate 3 days per week, every other day, spread out from the beginning to the end of each week.  The more a student participates, the more points the student is able to earn.  

Volume – (The number of posts per Thread) For each Thread in a TDA, a minimum of three postings must be made by each student per week.  These postings cannot be completely directed only to the professor; the postings must also respond to the entries and comments of the other students in the class in the virtual classroom discussion.  The more entries the student posts during the three days the more points the student can earn.

Quality – It is expected that each student will bring content from the weekly lectures and weekly readings during each TDA (adding value including personal examples, new analysis, important questions, tying posts together, references to reading, responding to the instructor and/or the questions).  While personal opinions may be interjected, the emphasis of each discussion is the course content. 

 

Grading:

   Online Component                          25%
   Term Paper                                     25%
   Midterm                                          25%
   Final Exam                                      25%
 

Letter Grade

Percentage

A

90 to 100%

B

80 to 89%

C

70 to 79%

D

60 to 69%

F

Below 60%

Course Policies and Procedures   Students are expected to attend and participate in each class session, as well as with all online components for the course.

DeVry’s attendance policy allows a professor to withdraw a student from a course when he/she has been absent 30% of that course.  IF a student is withdrawn from a course, the student must appeal to the professor of that course to be reinstated.  If a student is not reinstated he/she will receive a “W” grade for the course and it could affect the student’s eligibility for financial aid the following semester.

Students are expected to be in class since it is impossible to duplicate the class environment.  Much of this course is based on in-class assignments.  Activities that occur in the classroom are evaluated in test question and through classroom presentations.  All of these exercises form a large portion of the student’s grade.  Students are expected to bring all materials to class; it is impossible to complete assignments without coming to class prepared.

 

School Policies  

A. Academic and Professional Conduct

Ensuring academic integrity is an educational objective DeVry takes very seriously. The School's Academic Policy is printed in the catalog, and the following explanations may be helpful in interpreting what are considered to be violations of the policy. 

Students have a responsibility to maintain both the academic and professional integrity of the School and to meet the highest standards of academic and professional conduct. Students are expected to do their own work on examinations, class preparation and assignments and to conduct themselves professionally when interacting with fellow students, faculty and staff. Students must also make equitable contributions to both the quality and quantity of work performed on group projects.

Academic and/or professional misconduct is subject to disciplinary action including course failure, probation or dismissal. Academic dishonesty includes, but is not limited to, cheating on examinations, plagiarism, bribery, falsification of student records and improper attempts to influence Instructors or School officials.

Examinations: Using notes, looking at another student's test paper, or providing another student with answers during an examination are violations of the policy. 

Course Assignments/Projects: Unless a course assignment is specifically designated as a group/team assignment, collaborating with another student in completing assignments intended to be completed independently or submitting another student's work as your own are violations of the policy. 

Research Reports: To use another person's ideas, words, expressions, or findings in your writing without acknowledging the source is to plagiarize. A writer who does not give appropriate credit when quoting, or even paraphrasing, another's writing is guilty of plagiarism and in violation of the Academic Policy. 

The policies and procedures set forth in the DeVry Handbook will be the guide for standards of conduct, including cheating, plagiarism, grading and other policies. 

Students should adhere to the same types of conduct for cheating, plagiarism, etc. that are followed in the traditional classroom.

Students should be familiar with the consequences of cheating, plagiarism, or rules infractions as set out in the DeVry Handbook.

B) Computer Virus Disclaimer

“Students have a responsibility to maintain both the academic and professional integrity of the School, and to meet the highest standards of academic and professional conduct."  Any intentional, willful or reckless transferring of viruses, as the result of an email message or attachment will be considered professional misconduct.  Professional misconduct is subject to disciplinary action including being placed on probation, failing a graded course component, failing a course, or being dismissed from the School.  DeVry will not be liable to any affected student for any indirect, special, incidental or consequential damages that may occur as a result of this type of misconduct by any person.

Faculty and DeVry staff have a responsibility to maintain both the academic and professional integrity of the School, and to meet the highest standards of academic and professional conduct.  Any intentional, willful or reckless transferring of viruses, as the result of an email message or attachment will be considered professional misconduct.  Professional misconduct is subject to disciplinary action. DeVry will not be liable to any affected person or organization for any indirect, special, incidental or consequential damages that may occur as a result of this type of misconduct by any person. 

 

 

 


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