Syllabus

HUMN-303—INTRODUCTION TO THE HUMANITIES

Summer 2002

 

Faculty Information:

Dr. Al Campbell
E-mail:
campbell@wolverton-mountain.com

Web Site: www.wolverton-mountain.com
Phone: (219) 928.5598 or (219) 874.1338
 

Course Identification:

Credit hours: 3
Contact hours: 3
Days/hours course meets: Mondays at 6:-8:50pm
Prerequisite: ENGL-135
 

Course Description:

Organized as a seminar in cultural history, the course develops student responses to representative works of literature, history, philosophy, music and a wide range of visual and performance arts.  Students analyze and evaluate creative works in areas such as painting, poetry, drama, dance, film, and architecture.  They discover the personal significance of these forms, make connections between works and genres, and locate patterns and ideologies that define the spirit of a time.  Discussions, essays, oral presentations, and visits to cultural events or venues prepare students for more advanced inquiry in subsequent courses.    
 

Text:

Sporre, Dennis J., Reality Through the Arts, 4th edition, Upper Saddle River, NJ: Prentice Hall, 2001.
 

Student Withdrawal Policy:

Students who wish to withdraw from this course must do so by Friday of Week #11.
 

Course Evaluation:

Midterm, Term Paper, Class Presentations, and Final Exam—each weighted at 25% of Final Grade.
 

Terminal Objectives:

  1. Demonstrate a familiarity with the main artistic styles and intellectual movements in Western culture up through and including the 21st century, their general characteristics, the chronological order in which they occur, and the geographic areas of their production.
  2. Demonstrate a knowledge of the basic aesthetics/expressive qualities, ideas, motifs, characteristics, and values of these cultural expressions and relate them to the context of Western culture in general.
  3. Recognize works of literature, philosophy, and the visual and performing arts that are significant to and representative of Western culture, as well as demonstrate a basic knowledge of such works and their creators.
  4. Demonstrate an understanding of basic forms, mediums, elements, techniques, and terminology of the literary, visual, and performing arts.
  5. Demonstrate sharpened perceptions and an increased awareness and sensitivity towards aesthetic stimuli/experiences.
  6. Amaze, illuminate and emotionally, intellectually and spiritually uplift themselves, their family, their lovers, their friends, their enemies, their pets and the rest of the entire world by their comprehensive and penetrating understading of the Western Humanities.
     

Student Responsibilities:

Students are required to attend all classes.  Group discussion is an integral part of this course; students will be asked to contribute and ask questions.  Most graded assignments will be done in class.
30% Absence: DeVry’s Attendance Policy allows a Professor to withdraw a student from a course when a student has been absent 30% of the class hours of the course.  If I drop you from the class, you must then appeal to me to be reinstated.  If you are not reinstated, this can affect your eligibility for financial aid and will result in a “W” grade for the course.  (Don’t forget to use the automated attendance system, ATS, starting 10 minutes before the hour and closing 20 minutes after the hour.)  Late assignments will be accepted with a one grade level reduction.
 

Diversity:

Students, faculty, staff, and all other member of the DeVry community are expected to respect diversity, which includes, but is not limited to age, disability, gender, marital status, national origin, race, religion, and sexual orientation.  Students engaging in discriminatory behavior will be subject to the consequences established in the Student’s Code of Conduct in the Student Handbook.  Student grievances involving charges of discrimination and sexual harassment should be taken to the Student Services Office.
 

Academic Integrity:

All students are expected to follow the standards of academic integrity and conduct as detailed in the Academic Integrity Policy found in the DeVry Student Handbook.  The Policy specifically prohibits dishonest acts, such as copying, plagiarism, and prohibited collaboration.  Please review the Policy so that you understand your rights and obligations.
 

Weekly Schedule:

July 15, 2002   Reality Through the Arts (pages 1-26)
            Introduction
http://www.artchive.com/critic.htm
http://mati.eas.asu.edu:8421/ChicanArte/html_pages/ArtCriticismQues.html
http://www.art.unt.edu/ntieva/artcurr/crit/
http://www.moma.org/
http://www.metmuseum.org/

 

July 22, 2002   Reality Through the Arts (pages 27-56)
            Chapter 1: Pictures
http://www.saci-florence.org/
http://www.famousartprints.com/renaissance-art.htm
http://www.palette-n-kiln.com/artposter1.htm

 

July 29, 2002   Reality Through the Arts (pages 57-73)
            Chapter 2: Sculpture
http://www.sculpture.org/
http://www.decordova.org/
http://www.thais.it/scultura/scultura.htm
http://www.groundsforsculpture.org/

 

August 5, 2002   Reality Through the Arts (pages 74-91)
            Chapter 3: Music
http://dir.yahoo.com/Entertainment/Music/
http://gareth.membrane.com/goodmusicnet/genres.html
http://www.classicalarchives.com/index_1.html
http://dir.yahoo.com/Entertainment/music/genres/classical/
http://www.fordham.edu/halsall/mod/NATMUSIC.html

 

August 12, 2002   Reality Through the Art (pages 92-110)
            Chapter 4: Theatre
http://www.kamat.com/kalranga/art/
http://library.thinkquest.org/21722/main.html
http://faculty-web.at.nwu.edu/slavic/theater/
http://didaskalia.berkeley.edu/

 

August 19, 2002   Reality Through the Arts (pages 111-137)
            Chapter 5-6: Film and Dance
http://www.afi.com/
http://www.indiafm.com/
http://www.irfilms.com/
http://www.sapphireswan.com/dance/
http://www.danceinsider.com/
http://dir.yahoo.com/Arts/Performing_Arts/Dance/

 

August 26, 2002   Midterm
 

September 2, 2002   Labor Day
 

September 9, 2002   Reality Through the Arts (pages 138-167)
            Chapter 7: Architecture
http://www.architecture.org/
http://www.lib.virginia.edu/dic/colls/arh102/
http://www.pitt.edu/~medart/
http://library.thinkquest.org/10098/
http://www.bc.edu/bc_org/avp/cas/fnart/arch/
 

September 16, 2002   Reality Through the Arts (pages 168-182)
            Chapter 8: Literature
http://dir.yahoo.com/Arts/Humanities/Literature/
http://www.lib.virginia.edu/wess/etexts.html
http://www.bartleby.com/cambridge/
http://www.eliterature.org/index2.html
http://elf.chaoscafe.com/

 

September 23, 2002   Reality Through the Arts (pages 183-268)
            Chapter 9-10: Ancient Approaches & Pre-Modern World
http://witcombe.sbc.edu/ARTHprehistoric.html#neolithic

http://witcombe.sbc.edu/ARTHancient.html#general
http://witcombe.sbc.edu/ARTHancient.html#AncNearEast
http://witcombe.sbc.edu/ARTHancient.html#AncEgypt
http://sgwww.epfl.ch/BERGER/First/EGYPTE.html 
http://www.harbrace.com/art/gardner/Anc.html#AncEgypt

http://home.echo-on.net/~smithda/hanginggardens.html
http://home.echo-on.net/~smithda/hammurabi.html
http://unmuseum.mus.pa.us/wonders.htm
http://www.dilos.com/region/crete/minoan_pictures.html
http://witcombe.sbc.edu/ARTHancient.html#Greek
http://www.pbs.org/empires/thegreeks/background/28b_p1.html
http://harpy.uccs.edu/roman/html/repub.html
http://harpy.uccs.edu/roman/html/augustus.html
http://witcombe.sbc.edu/ARTHmedieval.html#Byzantine
http://witcombe.sbc.edu/ARTHmedieval.html#Islamic
http://www.wsu.edu:8000/~dee/CHRIST/BOETHIUS.HTM
http://www.metmuseum.org/htmlfile/education/byzantium/time.html
http://www.princeton.edu/~asce/const_95/const.html 
http://www.racine.ra.it/RACINE/docs/I/05F5E49B/RAVENNA/gallapl.htm

http://www.harbrace.com/art/gardner/Anc.html#EarlyChristian
http://www.islamicart.com/
http://www.harbrace.com/art/gardner/Med.html#Byzantine
http://www.harbrace.com/art/gardner/Med.html#Islamic
http://witcombe.sbc.edu/ARTHmedieval.html#EarlyMedieval
http://witcombe.sbc.edu/ARTHmedieval.html#Romanesque
http://www.bc.edu/bc_org/avp/cas/fnart/arch/romanesque_arch.html
http://www.luminarium.org/medlit/chaucer.htm
http://www.harbrace.com/art/gardner/Med.html#Gothic
http://www.harbrace.com/art/gardner/RenBar.html#LateGothic
 

September 30, 2002   Reality Through the Arts (pages 269-315)
            Chapter 11: Emerging Modern World
http://www.nga.gov/collection/gallery/ita15.htm
http://www.geocities.com/Paris/Gallery/2892/renaissance.html

http://www.italian-art.org/
http://www.ibiblio.org/wm/paint/glo/renaissance/it.html
http://www.mcs.csuhayward.edu/~malek/Addio.html
http://witcombe.sbc.edu/ARTHLinks2.html#Italy15
http://www.best.com/~natalew/zItalyRenNotes.html
http://www.geocities.com/rr17bb/HighRena.html
http://witcombe.sbc.edu/ARTHLinks.html
http://www.artcyclopedia.com/history/high-renaissance.html   
http://www.artlex.com/ArtLex/h/highrenaissance.html

http://www.sunyniagara.cc.ny.us/homepags/Knechtel/highren.html
http://tvm.tigtail.org/TVM/M_View/X1/c.Mannerism/mannerism.html
http://www.nga.gov/collection/gallery/gg21/gg21-main1.html
http://web.kyoto-inet.or.jp/org/orion/eng/hst/manneris.html
http://www.kfki.hu/keptar/tours/11_16_c4.html
http://www.huntfor.com/arthistory/renaissance/lategothic.htm
http://www.factmonster.com/ce6/ent/A0858439.html
http://www.geocities.com/Athens/Parthenon/8063/gothic7.html
http://www.factmonster.com/ce6/ent/A0821376.html
http://witcombe.sbc.edu/ARTHLinks2.html#Italy16
http://witcombe.sbc.edu/ARTHLinks2.html#Northern16
http://sunsite.auc.dk/cgfa/bosch/                              
http://www.msu.edu/~cloudsar/nrweb.htm
http://www.harbrace.com/art/gardner/RenBar.html#Baroque
http://www-lib.haifa.ac.il/www/art/bar_menu.html

http://encarta.msn.com/index/conciseindex/51/05118000.htm
http://witcombe.sbc.edu/ARTHbaroque.html#Baroque
http://www.costumes.org/pages/18thstyl.htm
http://www.frontiernet.net/~sboerner/mozart/
http://www.geocities.com/Athens/7308/
http://goya.unizar.es/

http://www.ida.his.se/ida/~a94johal/beethoven/beet.html
http://users.utu.fi/hansalmi/wagner.spml
http://www.harbrace.com/art/gardner/RenBar.html#18thcentury
http://www.tam.itesm.mx/~jdorante/art/romantic/irmant01.htm

http://www.tam.itesm.mx/~jdorante/art/romantic/irmant02.htm
 

October 7, 2002   Reality Through the Arts (pages 316-356)
            Chapter 12: Beginnings of Modernism
http://www.bc.edu/bc_org/avp/cas/fnart/art/monet1.html

http://www.bc.edu/bc_org/avp/cas/fnart/art/monet2.html
http://www.bc.edu/bc_org/avp/cas/fnart/art/monet.html
http://www.bc.edu/bc_org/avp/cas/fnart/art/renoir.html
http://www.bc.edu/bc_org/avp/cas/fnart/art/degas_ptg.html
http://www.bc.edu/bc_org/avp/cas/fnart/art/vangogh.html
http://www.bc.edu/bc_org/avp/cas/fnart/art/manet.html
http://www.mimieux.com/arthistory/mod/modindex.htm
http://www.mimieux.com/arthistory/mod/modindex.htm
http://www.huntfor.com/arthistory/c19th/pimpressionism.htm
http://www.wice-paris.org/save/course/arthist.html#Series
http://www.guggenheimcollection.org/site/movements.html
http://www.portlandgallery.com/

http://www.nelson-atkins.org/collections/20thcent/twentiet.htm
http://www.dartmouth.edu/~matc/math5.geometry/unit16/unit16.html
http://www.artic.edu/aic/index.html
 

October 14, 2002   Reality Through the Arts (pages 357-400) Term Paper Due
            Chapter 13: Pluralism in the Modern and Postmodern Age
http://www.mimieux.com/arthistory/mod/modindex.htm
http://www.mimieux.com/arthistory/mod/modindex.htm
http://www.huntfor.com/arthistory/c19th/pimpressionism.htm
http://www.wice-paris.org/save/course/arthist.html#Series

http://www.guggenheimcollection.org/site/movements.html
http://www.portlandgallery.com/
http://www.nelson-atkins.org/collections/20thcent/twentiet.htm
http://www.dartmouth.edu/~matc/math5.geometry/unit16/unit16.html
http://www.artic.edu/aic/index.html

 

October 21, 2002   Final

 

 


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